Women are hard to fathom...
I took Jess to see
YUMENO yesterday, figuring she'd get a kick out of a little indie Japanese goodness and that it'd also act as a sweetener for dragging her to watch
LATE BLOOMER straight afterwards.
Turns out she hated YUMENO (although I thought it rocked) and loved the film about the cerebral palsy suffering serial killer. Girls are weird.
YUMENO was a dark little movie with a beautiful snow bound setting - restless youth, murder and blue contact lenses. I'll be writing about it and LATE BLOOMER later.
Tonight we are off to see THE GLAMOROUS LIFE OF SACHIKO HANAI. Bravo to the chaps at
Midnight Eye for building such an inspired Japanese strand to this year's Raindance:
Sachiko Hanai is a call girl specialising in role-playing the type of lusty home tutor every adolescent boy dreams of having correct his homework. One day she inadvertently stumbles into a coffee shop interrupting some dodgy dealings. Tempers flare, guns are drawn and Sachiko finds herself in the path of a stray bullet that hits her bang in the centre of her forehead. Dazed and confused, she wanders into the streets, not noticing a mysterious metal canister being inserted into her handbag. Her attempts at dislodging the bullet with an eye-liner pencil set off a volley of flashing lights and strange images; suddenly Sachiko finds herself able to speak foreign languages and solve complex formulae, making her much in demand as a bona-fide tutor. Unfortunately, the cylinder contains a replica of the finger of the US president, whose fingerprint is capable of unleashing nuclear Armageddon. Sachiko soon begins to finds herself the subject of unprecedented international attention. Meike's sexy, anarchic, satirical romp was originally released into pink cinemas in a 65-minute version called Horny Home Tutor: Teacher's Love Juice, but proved so popular that a 'director's cut' was prepared, featuring enough raunch, humour and weirdness to please all but the most po-faced. The depiction of the current incumbent at the White House is particularly to be savoured
After that we finally get to see
THE PRODIGY.
Eve has been telling me about this forever. She also hooked me up with the director Will Kaufman
and Jake West, the director of EVIL ALIENS. I have the best friends.
Speaking of San Fran associates... I've followed
Jackson over onto
Blottered. I'll be blogging there for the foreseeable crime ridden future. Because you can never have enough blogs to play with, right?
Later today the new issue of
Firecracker should be up. That's the place to find my reviews of THE EYE 2, ANOTHER PUBLIC ENEMY, THE BODYGUARD, GI SAMURAI, GOLGO13 and THE KILLING MACHINE.
Still plaguing Londonist of course (and I did
enjoy the 3CR show). And once I've seen a few more films besides yesterdays ONE STEP BEHIND I'll be back in the saddle over on
Cinema Minima. Starting to post more in Suzanne's lovely
Temple too.
On top of all that my London Film Festival press stuff came today... there are some screening clashes with Raindance which is annoying as the preview stuff kicks off on Monday. I'll be running from the NFT and Shaftsbury Avenue like a madman. Jess is back in Blackpool covering the Tory conference from Sunday so I'll be ragged and living on crappy food for a few days too...
I'm already chuckling at the thought of this one though:
THEY CAME BACK - The dead have returned...and are undergoing an existential crisis! They Came Back is philosophically rich and intensely, though subtly, moving. A striking first feature by the co-writer and editor of Laurent Cantet's films.
French zombies man... they creep me out.
[Music: Ramones]